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Calling out names of families separated in Korean War



By Lee Woo-young

With nearly 60 years having passed since the end of the Korean War, memories of war have faded away as new generations grow away from history. But the memories remain very vivid to the separated families and are a true reminder of the painful history of the war.

Artist Lee Eun-sook, a second generation of separated families whose father left four children in the North and died two years ago, keeps the fading memories alive by using the forgotten names of the divided families in the North and South as the main materials for her light installation.

So far, those names have only been seen in a foreign land. Her first light installation, featuring 5,000 names of families separated during the Korean War, was first introduced in Berlin at the Brandenburg Gate in 2007.

The light installation attracted huge attention as it was covered on the front pages of major newspapers in Germany. The exhibition was also reported on in the major media outlets such as the BBC, Reuters and CNN.

“There is still the pain of separation in Korea. And I think this sad reality touched the hearts of many viewers,” said Lee in a recent interview with The Korea Herald.

“Some people shed tears and some people told me they were moved and impressed by the artwork,” said Lee.

On Feb. 23, Lee is presenting a new installation work at the Freedom Bridge, one symbol of the Korean War, near the border village of Imjingak.

The 25-meter installation will feature consonants and vowels from the names of separated families with their pictures flashed through fluorescent light created from fluorescent-colored threads and ultraviolet light.

The light installation will be on exhibit from Feb. 23-March 10 at the barbed wire fence near the Freedom Village at Imjingak.

“I wanted to display it along the DMZ, but the military didn’t allow it,” said Lee. “But it’s meaningful that it is exhibited in such a symbolic spot,” she added.

The artist said she hopes to continue her installation project in other historical places in the country.

“Maybe in Gwanghwamun. After I returned to Korea from Germany, I found the lights of the central Seoul had too much of an amusement park feel. I am developing my idea for the Gwanghwamun installation piece. But I think I will include the modern history of Korea,” said Lee.

The exhibition at Imjingak is also the first exhibition she is holding after she left Korea in 2000.

Lee, who graduated Ehwa Womans University, where she studied textile art, in 1979, held several exhibitions in Korea that were met with harsh reviews from critics.

“They said the materials and fluorescent colors looked too cheap,” she said.

Lee started her second career in Germany after she was offered a chance to participate in a group exhibition of Korean and German artists.

“A curator from Frankfurt approached me at an exhibition in Korea and said I was the one she was looking for and she liked it that there’s much work done by hand,” she said.

“And they found the subject of my work related to the separated families during the war special,” said Lee.

“I hope people in Korea also feel the same thing and understand the pains and memories of separated people through my work,” said Lee.

(wylee@heraldcorp.com)